![]() ![]() ![]() Currently you will need to use an external LUT box between the camera and the monitor. We are currently working on versions of these LUT’s that will load directly into the monitoring of the cameras that are capable of this. If you use these LUT’s when shooting you should be able to use "standard"IDT’s & ODT’s in post with no LUT and get exactly what you saw when you were shooting. IE they contain the effect of the relevant IDT, RRT & ODT. The LUT’s are designed to take the log output of many commonly used cameras and enable you to use a standard rec 709 monitor and reproduce the "look"of having gone through a complete ACES workflow. The reason for these LUT’s is to enable low budget and very fast paced productions to have the advantages of an ACES workflow whilst shooting with their "normal"kit. ![]() The LUT’s attached below were developed by Geoff Boyle of CML and Nick Shaw of Antler Post with the cooperation of the NSC and Netherlands Film Academy. This is a new page at CML reproduced in its entirety, hopefully the links will work!ĪCES LUT’s for use in a non-ACES environment ![]()
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